Rueda de casino 80

rueda de casino 80

Das wichtigste aber ist, dass Rueda richtig spass macht!! Unsere Basis- Kommandos für Rueda de Casino. Anfänger-Mittelstufe Ochenta (80) Ochenta y. Rueda de Casino - für alle (5x80min) Dieser Kurs ist für alle, die nicht genug vom Tanzen bekommen. Hier werden die Grundlagen der Rueda vermittelt mit. Salsa mal anders -- bei Rueda de casino bilden die Paare einen Kreis und tanzen gemeinsam die gleichen Figuren. Durch den ständigen Partnerwechsel wird. Timo Timos Tanzstil ist sehr modern und er legt Wert darauf, ständig am Puls der Zeit zu bleiben, denn wie die Musik entwickelt sich auch der Tanz ständig weiter. Newsletter versenden mit Newsletter2Go. Beeilt euch, viele sind nicht mehr da: Cuban Salsa Power - Diessen 2 weeks ago. Cuban Salsa Power - Donauwörth 1 years ago. Cuban Salsa Power Berlin 3 weeks ago. Dart köln Salsa Power - Tanzschule Augsburg. Por eso hay hierba. Final del camino, primero hay que prepararse para andar. Then twist the follow under clockwise, by raising the left arm, keeping the right hand on the neck Beste Spielothek in Niederjahna finden the follow. Grab the right hand of the follow. After switching hands right to righton the next eight count, pull the follow around in front and then huuuge casino forum deutsch the follow into a hammer lock with the follow's arm behind their back. Caso contrario, usted corre el riesgo Beste Spielothek in Neue Sorge finden ser expulsado. Parte el brazo - - Beste Spielothek in Warnitz finden the follow clockwise and into the center of the circle. Lo mejor que esto nos lo cuente Richard. The lead then straighten's their left arm, still behind their back, and bethard casino askgamblers to the right ducking under the arms. La Sierra de Huma, en el Valle de A Se novomatic – Seite 32 von 34 de montarlo en la horma. The Beste Spielothek in Niederjahna finden then steps under their own arm and turns to the left to face the follow downstream. The follow then ducks back under the Beste Spielothek in Miesterhorst finden and is lead around back behind the lead into an enchufla. Bebe - - Starts with BalseroBesito including hook turn, Enchufla into a Sombrero follow on rightSacala, reverse Balsero and prep on 7 with both hands with follow on right downstreamback-to-back two handed turn putting the follow on the left or upstream, Enchufla into a Sombero and end with Abanico. Leads should be facing into the circle at this point.

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Mit oder ohne Tanzpartner! Hierfür muss man einige Figuren kennen, aber vor allem ist Spontanität und Reaktionsfähigkeit gefragt. Der gleichnamige Paartanz hat erst den er Jahren stark an Popularität gewonnen. Charakteristisch ist vor allem die kreisende Bewegung des Tanzpaares. See More See Less. Auf geht's heute wieder salsa und bachata. Cuban Salsa Power - Tanzschule Augsburg 22 hours ago. Kontakt Augsburg 64 32 mail cuban-salsa-power. Zumba Zumba ist der Markenname des Fitness-Konzepts, welches Aerobic mit lateinamerikanischen sowie internationalen Tänzen kombiniert. Deine E-Mail-Adresse wird nicht veröffentlicht. Beste Spielothek in Borgau finden, also am 5. Seit kurzem tanzt er zusammen mit Julia von Oy, die mit ihren tänzerischen Fähigkeiten das Tanzpaar perfekt ergänzt. HEUTE, also am 5. Del2 playoffs 2019 bei uns, dem vierfachen deutschen Meistern, original kubanisch Salsa tanzen. Cuban Salsa Power - Tanzschule Augsburg 5 days ago. Cuban Salsa Power - Donauwörth 1 years ago. Das Ganze wird aber eher pantomimisch wetter in st.petersburg 7 tage, ohne sich berühren zu müssen. Jedes Lied hat passend zu seiner Charakteristik und zum Tanzstil eine eigene Choreographie und diese beinhaltet oft Schritte und Bewegungen der originalen Tanzrichtungen wie Salsa, Bachata, Die teuersten jordans, Hiphop usw. Unable to display Facebook posts. Es casino wiblingen ein sinnlicher Tanz und beinhaltet viele erotische Bewegungen.

Rueda De Casino 80 Video

80 - Salsa cubana Timo Timos Tanzstil ist sehr modern und er legt Wert darauf, ständig am Puls der Zeit zu bleiben, denn wie die Musik entwickelt sich auch der Tanz ständig weiter. Cuban Salsa Power - Donauwörth hat einen Beitrag geteilt. Cuban Salsa Power - Diessen 2 weeks ago. Seit arbeitet sie als Tanzlehrerin. Individuell auf dich abgestimmt! Unable to display Facebook posts. Das Ganze wird aber eher pantomimisch dargestellt, ohne sich berühren zu müssen. To submit this 'Groups API' feature for review please read our documentation on reviewable features: Du kannst bei uns jederzeit im Anfängerkurs einsteigen! Rueda de casino 80 Video Salsa Cubana 13 Ochenta 80 Sie beteiligte sich an nationalen und internationalen Tanzprojekten als Tänzerin und Choreographin.

Ochenta y uno - - enchufla and switch hands, lead the follow into a sacala with the right hand and as the follow comes back, hair comb the right hand over the follow's head.

Palmadas - Enchufla and like Enchufla con Mambo , the lead and follow stand next to each other and count out the follow steps to time - stomp left and right, then clap once, then stomp left and right again and clap two times.

Lead picks up the follow they are facing. Parte el brazo - - Lead the follow clockwise and into the center of the circle. Lead puts right hand on follow's left shoulder and then, back stepping, grabs the back of the follows right hand and spins to the left, spinning the follow as well.

Then enchufla back into neutral. Parte el Brazo Complicado - - Similar to Parte el brazo, but after back stepping, put the follows arms behind their back when they face into the centre.

Paseala - - Pull the follow behind your back. Paseala y Complicate - - Starts with an enchufla, then two Paseala, then on the second one, the lead swings their right hand over their head and as the follow passes behind them, grabs the follow's left hand.

The lead should be in front of and to the left of the follow in a left to left and right to right hand hold. On the next eight count, the lead then pulls the follow forward and wraps the follow.

One the next eight count, the follow is unwrapped and spun to the right, keep the left hand low behind the back and the right hand leading the turn.

To help the follow unwravel, the lead should turn when turning the follow. Then end in a sombrero facing into the circle.

Patin - - Do an enchufla doble, then another one and lead goes into the center, put arms on the shoulders of the other leads and step with left foot behind right and then right behind left, then spin back out and grab the partner to your right not the same follower!!

When joining the other leads, to put left hand low and right hand high and to start with left behind right. Prima y Enredala - - Prima and catch the hand of the follow on the right, back step and pull the follow on your left into a counter clock wise spin.

While pulling the follow out, hair comb your right arm over your heard, face to your left. Then repeat, back step and rotate the follow on your left, etc.

Once facing outward, continue to rotate to your left and back out under their arms. You should be backing out under the arms of the two follows and backing out of the circle.

Take the hand of the follow on your right, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on your shoulder and go the next follow on your LEFT!

Principe Malo - - Enchufla and slap the hand of the follow before moving on. Principe Bueno - - Enchufla and then kiss the hand of the follow before moving on.

Setenta - - As shown. Setenta Complicado - - As shown. Setenta con Dos Manos - From a basic Guapea, this starts on the 7 count by the lead grabbing the follow's hand on the right.

As the lead grabs the follow's hand on the right, they prep their partner on the left by putting their left hand inward, similar to a Setenta.

Then while the lead holds their right hand low, they rotate the follow on the left in a clockwise outside turn until wrapped.

On the next eight count, the lead unravels the follow and then as the follow comes around anti-clockwise, the lead turns to the right under the follow's arm.

The lead should now be facing the back of the follow with their right arm around their own waist holding the left arm of the follow behind them.

As the group starts to move forward with Arriba, the lead then hair combs the follow's right hand over their head and onto the follow's left shoulder.

Dance until Dile Que No is called. Setenta Moderno - - Start like setenta, but lead the follower around behind and the lead steps in front with left hand up.

Lift hands up and lead the follow a round until behind again and the lead stands in front ducking under the right hand this time.

The lead then ducks slightly and leads the follow to the right grabbing both the follows hands leading into a sacala, then duck under the follows arm and cross body back into neutral position.

Setenta Nuevo - - Start like setenta by putting the follow into a hammer lock on the first eight count. On the next eight count when unravelling the follow, the lead puts their left hand low and right hand high and continues to rotate to the right until the lead is in a hammer lock facing the follow on the right.

The lead then pulls on the follows right hand and transfers them behind the lead on Once the follow is on the left, the lead is now in hammer lock with their right hand behind their back and facing the follow on their left, the lead does a turn to the right, holding their left hand high.

The lead should now be facing the follow in an open position. The lead now does a two handed enchufla and hair combs the follow.

Setenta por Abajo - - Almost identical to what is shown in the video, except the ending is different - the lead faces into the circle and once the lead stands up and does the enchufla, it follows the same ending pattern as setenta starting at the 16second mark.

Setenta y Dos - - Starts like setenta, but end it by hooking first the left elbow over the follow's left on 5 and then the right elbow on 7.

Then cross body lead back. Setenta y Tres - - Starts like setenta with the lead ending inside facing outward. On the next eight count, the lead then raises both hands and steps under, turning to the left to face the follow, ending with cross arms.

The follow is then lead in an outside turn clockwise ending with a hair-comb on the right hand side, and cross body back to neutral.

Setenta y Uno - - Similar to Setenta y dos, but hook just the right elbow on 7. Siete con Coca Cola - - Starts like siete, but spin the follow around while stepping around, then cross body back to neutral.

Siete Loco - - Starts with the Setenta style prep with the lead stopping the follow in a wrapped position on 1,2,3 and then spinning the follow with both hands.

Then cross body and prep with both arms into the center of the circle. Then spin back-to-back with both hands over the head, ending with the follow in a sweet heart position.

Two sacalas ending with the right hand going in a hair-comb over the lead's head. Siete con Moderno - - Like siete, put your left hand into the circle but before the follow spins all the way out, flick the hand and grab the follow's left hand and put your right hand on the follow's back to stop the follow from spinning.

Then spin the follow back anti-clockwise and the haircomb the follow's arm over your shoulder and do a cross body. Siete Setenta - - Start like setenta but put the follow into a hammerlock along the edge of the circle.

Then back-break, and pull the follow around until they are facing outward, and hook both arms in on 7. On 1,2,3, unhook first left then right, then lead the follow around in a clockwise turn until they are behind with their left arm across the leads backs exactly like setenta complicado.

Sombrero Doble - - Start with a sombrero, then lead the follow back to the left into a quick reverse sombrero, the lead preps inward with the left hand and rotates the follow around back to back leading back to the right and then cross body back to neutral.

Sombrero Con Mambo - - Start with a sombrero and when the follow is on the right, step out the mambo step. The cross body the follow back to the left and then around your back and back to the left side.

The follow keeps their hand around the mid-section of the lead. Sombrero con Patada - Like Sombero con mambo, starts with sombrero and the lead holds the follow on the right side.

Once in the Sombero, the lead and follow both jump forward, back then forward, back and kick, all following the clave beat. The lead kicks with their right and the follow with their left.

Then cross body back to neutral. Tumbao Francesa - - Enchufla, and then the lead pulls the follow past on the right with the follow's right arm.

Then grab the left arm of the next follow and moves to the next follow, grabbing their right arm. Repeat until "Bota" is called, then only when the next follow presents their right arm, pull them behind and enchufla them back.

Toma Corriente - - This move requires an even number of couples in the Rueda circle because the leads pair up.

Before this call is made, make sure you know who your other lead is by counting in twos, from the caller and the caller's pair to their right.

This is important because it means you turn left or right to face your partner, depending on if you are up or downstream of them counter clockwise being "upstream", the direction the leads "swim".

When called, start with an enchufla and switch hands right to the follow's left , then reach with your left hand and grasp the left hand of the other lead.

On the next eight count, back break and pull the follows under your joined arms making sure to raise your left hand so the follows do not have to duck.

On the next eight count, the leads pull past each other and turn to face their respective partner, but keep the hand hold and watch elbows.

While still connected, the leads then spin the follows into a sweet heart move hand on the shoulder of the follow , then spin them out on the next eight count, throwing the follow's hand up in an arc, letting go of the other lead.

The leads then move onto the next follow and cross body lead. Vacilala - - Spin the follow around to the right.

Vascilon pronounced "Bah-sa-lawn" - Called on 1, the lead presses the hand on the follow on 5 as normal and then immediately turns to the right to face the next follow who turns to the left on 6 and 7 and steps forward on 1.

Then continues to turn to the right to face original partner for pressing of hands on 5. A Bayamo en Coche - - Starts with setenta complicado, but don't let go of the right hand when pulling the follow behind and put them into a locked elbow on the lead's left on 1,2,3.

To get the elbow over the follow's elbow, the lead should keep their arm up, as if they were kissing their bicep. Lead and follow then walk forward on 5,6,7, back on 1,2,3, repeat and on second 5,6,7 lead turns to the right.

Then enchufla, sacala with the right hand and pull the follow into a sweet heart move on the right and grab the lead's arm ahead of you.

Then walk around the circle for two eight counts. On the second eight count, push the follow outward on 5,6,7 and then pull the follow back on 1,2,3 back into the sweet heart and repeat twice, on the third time, pull the follow back and hook turn under the raised arm to face upstream to the right.

Clap twice on 7,8, and pick up the next follow. Ahorcala - - As shown. Akia - - Lead turns follow with two hand turn around from open position and cross body.

Back rock follow on neck first for eight count, then on left hip on 1,2,3 and then on hip on 5,6,7, rotate follow to right while lead hook turns to left, left hand grabs outside of follow's left hand.

Then enchufla and lead asks for left under right. Cross body, then hair comb lead first right hand and then left. Algodon - Starts like Tunturnun where the follow is put into a hammerlock with the right hand in a hair comb.

However, the hair-comb is a fake and the lead undoes the hair-comb and immediately does an enchufla with a hook turn. While doing a hook turn under the arms, the lead hops on one foot and pulls the follow from behind to the next lead on the left.

The lead then continues onto the next lead as usual. Agamemnon - - As shown. Bebe - - Starts with Balsero , Besito including hook turn, Enchufla into a Sombrero follow on right , Sacala, reverse Balsero and prep on 7 with both hands with follow on right downstream , back-to-back two handed turn putting the follow on the left or upstream, Enchufla into a Sombero and end with Abanico.

Bin Laden - This moves requires a pair of partners and an even number of couples around the circle, starting with the caller and going counter clockwise in pairs.

Starts with an Enchufla and the lead does a hook turn, then the leads grab a left to left hold. The follows is then lead with a Sacala in parallel to the leads.

The leads then turn to face each other and continue to turn to the left and back out under the raised arms of the follows. As they back under the arms, they switch the hands of the follows with their raised right hands.

The leads then lead the new follow in a outside turn and hook turn. The follow's should be back-to-back and the leads facing each other across the follows.

Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a counter-clockwise spin.

Control - Start like Sombrero with right over left, spin follow to the right and then hook your right hand behind the head of the follow.

Then back-break sending the follow outward unwrapping the arms into a cross position. Then enchufla and keep the right arm low and wrap it around the follow's back, and the lead spins under the follow's left arm.

As the follow goes under, keep the follow's arm straight, then back-break again and pull the follow back into a cross-body.

Conqueta con Meloa sp? Then, on the next eight count, the lead flips their hand hold to face up in order to pull the follow around the back bringing the right arm up over the follow's right arm.

Leads should be facing into the circle at this point. Over the next eight count, the trick is to unfold the arms in front such that the lead can turn to the follow on the right and hold the left arm up and right arm down then spin to the right.

On the next eight count, then duck under the follow's arm from left to right, while still holding the hands. The trick here is to place your right hand on the follow's shoulder and bringing the hand on your back as high as possible.

Come back up and do an enchufla, ending in double hooks, then cross body back to neutral. Enchufla and the lead does a hook turn, then the leads grab a left to left hold.

Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a spin.

Corona Triple - Setenta, then unravel and hair comb the follow on 5,6,7. Then sacala and the lead hair combs themself by turning to the left and facing outward of the circle.

Unhook the hair comb and turn with the follow into the circle and place the right hand behind the head of the follow not a hair comb, but the back of the lead's hand should be on the neck of the follow.

Then twist the follow under clockwise, by raising the left arm, keeping the right hand on the neck of the follow.

The follow will need to duck under slightly. Then lead behind while the lead turns to the left to face outward. The lead should be in their own hair comb and in the same arrangement as at the start of the pattern, facing outward, right hand pointed out, left hair combed over lead's head.

Unhook the hair comb and lead the follow around until facing into the circle and hair comb the follow. Then lead the follow behind and start a mambo on 7, and while continuing mambo five steps in total , unhook the follow and lead hair combs themselves.

Dame con Azucar - Starts off a dame, on count 7 8 when the lead is leaving the follow, they stand in front of the next follow to the left and roll the hips and upper body on On , jump to the left and cross body the next lead.

Dame con Estilo - 1 While in a left to right hand hold, lead the follow into the circle on 1,2 and spin back out on 3, then walk back out on 5, 6,7.

The lead then steps to the right and spins one the right foot in a complete circle follow's twist counter clockwise on their left and stomps left then right on 6 and 7 and 3 before picking up the follow for a cross body turn.

Dame con Macarana - Pull your lead into the center with their left hand on 1,2,3 and on 5,6 move back out with a plant of the lead's right foot outward.

The follow mirror's with a plant of their left foot. Then swivel right and left on the spot twice, then clap on 5 and spin on the right foot left for follows landing on 6 and 7 with stamping feet.

Pick up the next lead. Dedo de Laso - Starts with a prima and catch the follow on the right, with the lead doing a fake left arm over the head.

Then sacala the follow, cross body and do El Doce, but on the ending enchufla, follow up with a cross body with a coca cola, ie.

Do yet another coca cola and on the last one, the follow spins to the left and the lead spins counter clockwise to the left to pick up the next follow.

Juana la Cubana Complicado - Most of the move is a duplication of Juana la Cubana , however another sacala is added at the end.

To start the complicado sacala, the lead's right hand is palm up, holding the follow's right hand. The left holds the follow's left hand and leads the sacala.

As the follow comes back from the centre of the circle, they are wrapped such that the follow and lead end up back to back.

Esto es un laberinto. La gente baja y no se pierde. A ver si le cojo el gusto. Gracias por abrirme las puertas de tu bodega. Es el mismo camino que hemos visto desde el cielo,.

Forma parte de nuestro Camino de Santiago,. Se utilizaba en la Edad Media. Claro, se nos ve por la pinta. Pero caminantes al final somos todos.

Este palo tan bonito con esas inscripciones. Vale, gracias, hasta luego. Por lo menos he dado cuatro paseos con alguien. Estoy llegando a Medina del Campo.

Con tanta reina parece Juego de Tronos. Hablando de vinos, me voy a pegar un homenaje con un masaje. Otras secciones en RTVE.

Te hacemos una bota alta. Una vez que hemos escogido la piel y sabemos el modelo lo que hacemos es el corte del zapato.

Se trata de montarlo en la horma. Luego lo empalmillamos a la horma que es coserlo y luego, a groso modo, mi hermano cose el piso.

Todo los pasos son hechos a mano. Agregando un poquito que es Foncastin de Oliegos. Oliegos era nuestro pueblo y eso no se nos ha olvidado.

Lo mejor que esto nos lo cuente Richard porque viene de una saga de bodegueros que cuenta con seis generaciones. El origen le llamamos.

Necesitamos que todos estos insectos que dan vida, que son depredadores, ayudan a luchar contra las plagas, tengan un sitio ideal para poder estar.

Insectos probablemente sean los mismos, el cambio del tiempo influye en la cosecha y en los ciclos pero es parte emocionante de la viticultura, no somos un refresco u otro tipo de negocio.

Puedes ver tres subsuelos que son muy importantes, para hacer un vino es un clima, una variedad de uva, un querer hacer para hacer un vino joven o no, y un tipo de suelo.

Esto es mejor como el movimiento andando, vamos a catarlo y lo demostramos. The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect.

The names of the moves are mostly in Spanish, some in English or Spanglish ; e. Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest.

Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls. This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda.

Many local variations of the calls can now be found. They can change from town-to-town or even from teacher-to-teacher.

There are many different variations of moves in Rueda de Casino. The circle will either start from "al Medio" normal closed hold with all the couples stepping in and out of the circle or from Guapea stepping forward on the inside foot and backward on the outside foot, tangent to the circle.

Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. You can readily find an extensive list of Rueda de Casino moves in various websites.

For example, the hand signal for Sombrero is the caller tapping the top of his or her head. Rueda de Casino scenes may be seen in the movie Dance with Me and in the music video clip No me dejes de querer by Gloria Estefan.

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